#Hong kong movie production companies movie

Was able to make 14 movies within that year in Taiwan. In November of 1972, he was asked by a Cinemart reporter how he During his post-ShawĬareer, journalists referred to him as being 'obsessed with making His career afterward was wildly discordant. Harvest, his time at Shaw Brothers was far more consistent and bankable. You compare Wang Yu's Shaw era with his work for independents and Golden She asked me, 'you Oriental women all look so young what's your secret?' She laughed when I told her my secret was I never stop working!'

#Hong kong movie production companies movie

We can learn so much from them.' Wrapping up her talk with a HK reporter about her foreign trip, Kao concluded by saying, 'In Rome, I met a female movie producer who was only 32 years old but looked a little older. I feel they are indeed far more advanced than ours in every way. Naturally, a Chinese girl would never do such a thing.'On foreign films, 'I often watch foreign movies.

There were some men who attempted to court me over there inviting me to dinner right after introducing themselves. I'm not used to this sort of thing, but while I'm there, I try to adapt to their ways. Unlike us, they like to hug and kiss you on the face when they greet you.

She also experienced foreign customs totally alien to her own. Her trip to Istanbul was largely to scout locations for a new movie and her stopover in Italy was to attend the MIFED Film Market and gain experience on overseas filmmaking. As for the '75 slump, the industry rebounded in 1976, and got even better in 1977.Īfter filming wrapped on THE VIRGIN MART, Kao intended to take a long vacation and travel the world instead, it was a partial vacation in the latter part of 1974 to Turkey and to Italy. The film owner was also responsible for paying theater advertising fees for their films. Film producers had to pay them a deposit of HK$30,000 before they would show their movies to cover any losses incurred by the theater. Both Shaw Brothers and Golden Harvest distributed independently produced movies, while chains like the Shuang Li theater line specialized in them and even they had installed new rules that some found constricting to the industry. By the summer of 1975, some 40 Taiwanese movies were backlogged for release in Hong Kong. Things took a turn for the worse in 1975 (which is covered elsewhere in this series), and this hindered the indies not just in the newly implemented restrictions in other Asian markets, but in the theater chains that showed their films. Forty of the movies made in '74 passed the coveted HK$1 million mark. Total productions in 1974 reached 110 movies down from 1973 that saw 140 films made in Hong Kong.

It was a good if not great year for the industry, and especially for the indy companies.